Howard Stringer's "push-and-pull" generation
But here's where Stringer seems to be improvising wildly: "...protecting the artist's right is not something that should be automatically dismissed by the push-and-pull generation." I'm sorry--the what? Did he say the push-and-pull generation? Is this a sexual reference? Does he mean the rip-and-burn generation? The point-and-click generation? All right, I'll cut the man some slack; I know what he means. He means the on-demand generation, and it's not a generational phenomenon. It's an on-demand marketplace across many demographics, and if Howard Stringer has trouble accepting that reality, then Sony is even more doomed than it already was. It's not that DRM conflicts with what the marketplace wants; DRM conflicts with what the marketplace already has. Stringer needs to get away from the microphones, visit the men's room, do a little pushing and pulling, enjoy a cathartic release, and approach his job with a cleared head.
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